Tips (to help keep ya workin')
Hey everybody, I am going to change the name of this page of my website to Tips & Tricks because I intend to rap With the musicworld about just that. Tips & Tricks, Both musically and businessWise.
ATTITUDE
OK..Heres tip #1. It's something that my father used to always tell me: Make Yourself Useful! But no seriously...that is a real tip. To me, you have to do more than just play good these days. Go above and beyond the call of duty in any situation youre in. Make yourself valuable. Make yourself wanted. Be a team player and let the word get around. Learn the music more thoroughly than anybody else. Give 1 10%. For example, be eager & ready to rehearse...This is a big point because in LA especially the first question is Is rehearsal payin? Most players dont want to rehearse. They would rather read charts on the bandstand and Wing it on the gig and just get the cash With as little work as possible, but I tell you from seeing it first hand, the gig doesnt go as well and when the next gig comes around the leader is always hesitant to call those guys and ends up asking you for your opinion on that last guy, because you did a great job and were eager to put in the work.
Believe me, your attitude Will translate. On top of that, play good and I tell you, you Will work. People Will want you. The word Will travel around. The tendency is to skate and give as little as possible and for some if you are supremely talented you can get away Wi< /b>th it...but I say, no matter how talented you are, you cant get away With that attitude forever. There are players like me, that play good, want the gig and Will give 110% With a great attitude.
REHEARSAL?
Here's another tip: Be on time at the very least. Even better yet, be early! This was a hard one for me. It took me awhile to get it together but finally, I got it down and I tell you, people appreciate it. I know its cool and it shows how much you are the man by getting awa y With being late, but people resent it. They feel as though you dont take them seriously. They feel disrespected, even if youre so good they allow it and act like its cool. They may love what you bring to their thing and may not be able to find another bassist at the time, but the day Will come when they do find a bassist they dig and is on time and you wont get the call...Being late is unavoidable sometimes and there are times when mistakes just happen, but Im talking about the habitual lateness that becomes the way you do things. Your M.O. Your baggage. See..Things change, Gigs open up and you dont want the word to be on you yeah but you know hes alway s late like he dont give a darn....He can play but you gotta deal With his ego Because thats what it is.
THE OL' BIG HEAD
Tip #3: Control your Ego! Don't let it get ugly and big! Its one thing to have a healthy ego, which means you like what you do and enjoy what you do, and feel good and ready to play, but a inflated ego constantly needs feeding. You need to be better than everybody else or you dont feel good. You either need to knock everybody else down to let everybody know how much better and hip you are, or, you need to boost yourself up by letting people know your resume when they first meet you. You know the type...Hey man how you been doing? Answer...Aw man, Im working all the time. Im on the road With Shelia E, Mariah Carey, Elton John and Engelburt Humperdink all at the same time! Everybody loves me and Im playing With everybody!! My life is so incredible!! And after that, every conversation they find some kind of way to come back to who they are working With again. Why when I was With The Spice Girls...what we did was....By the way, Did I mention I was With the Spice Girls and they paid me more than everybody else in the band!!
What they are really saying is See how happening I am and how happening youre not!?? I guess nobody ever told them not to brag and that humility is attractive. Bottom line is...Nobody wants to hear that crap!! And I mean NOBODY! Say im doing fine and shut up!! See, A big ego says, What are they gonna do, ha ha..replace me?? replace me?? who can replace me?? A Big ego says, theyll put up With it because I am the man! A big ego says, I can do whatever I want, because I am the man, and they know this!! A big ego says, I dont have to rehearse because I am far above all this crap. (I say, why are you doing it then?) A big ego points the finger and says He sucks, he Sucks, She sucks and he sucks, and because I am so great I know, who's got it and who don't. Respect my word, look up to me because I am the man A big ego also says..Ill just play so good theyll forget about my being late.. and they might for awhile, but..one thing you can count on..Things change. The tables turn. The tide changes. Those who were the hippest get older and music is fickle. The hippest of hip today become yesterdays sound and then everybody recalls the attitude you had when you were the man.
THE UPS & DOWNS
Another age old rule my father taught me: You meet the same people on the way up that you meet on the way back down! Which means, things always have a way of leveling out, so watch what you say and to who. That guy you said sucks so bad might be playing absolutely great 2 years later and be in a position to give you the nod for a great gig. That session that you didnt give two cents about, it turns out that the producers got a few hit records and works With everybody that did that session except you, and now they pay triple scale. That girl you pointed out to your friend as so Ugly might end up being the love of his life! You never know who Will be a king tomorrow, so watch who you piss on today!
IN CONCLUSION
Now I know it might sound like I'm preachin' and I guess I am. What I am really trying do give you young players out there some sound advice. Advice that Will help you avoid some pitfalls that may h arm your career. Hopefully, when sit down and reflect on your career, you Will be thankful that you are working so much! Maybe you Will have a nice list of clientelle that call you and are glad to see you! Once again, these tips are based on my opinions, which are based on my experiences. I'm not trying to say they hold all answers, but they might just help. Keep playin' and practicing and by all means, check back next month. All the best, Dr
Andre Berry is a freelance bassist in Los Angeles. He studied music theory and jazz performance at Los Angeles City College. He has worked With such notables as Chris Standring, Dave Koz, Tom Scott, Rick Braun, Warren Hill, The Brothers Johnson, The Busboys, Mindi Abair, Jeff Golub, Craig Chaquico, TLC, A Tribe called Quest, Martha Reeves & the Vandellas and Tiny Tim.
Author:: Andre R. Berry
Keywords:: Working in the music Business, Attitude Pitfalls, Get the Gig, Understanding the Music Businesss, Wi
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