When youve been a student for so long, sometimes its hard crossing that line into the professional world. Of course, we should keep learning no matter what we are, or things can get boring pretty fast.
But I remember having a hard time with this transition, and it wasnt until my (brief) return to grad school that I felt I broke through the wall separating student and pro. You probably know that the line between those two categories often has nothing to do with level of playing, but attitude.
There are students that play amazingly better than some professionals, and there are students that are pro long before their time simply because they get paid to play. But, I think the difference is mainly in how you perceive yourself.
I had a wonderful time in college at Eastman, growing and learning and changing all of the time. With the help of my fabulous teacher, I was just starting to get a glimpse of myself (and not his carbon-copy) as an oboist.
I left school and it quickly became overwhelming. I had never been completely on my own before, and there I was in a brand-new city, supposedly a professional. But I really didnt feel like one.
Reeds became a struggle again, and they hadnt been for the last few years. Suddenly I was on my own and I realized I didnt know what I stood for. I missed being at school terribly, and felt an insecurity that I was sure would go away if I just had someone to guide me again.
Well, somehow in the midst of that I managed to win a 2nd Oboe job (Knoxville Symphony). It was a whirlwind year, living the life of a pro with an actual job. Still, I felt like I didnt know myself yet as an oboist and I considered all kinds of things.
Ultimately, I ended up in grad school for just one semester at the Manhattan School of Music, and it was there tha t somehow I found myself. Im sure you are thinking that it was the school itself, or the famed Oboe teacher, Joseph Robinson. And I suppose it was, in a way, but not how I expected it to be.
I started to hear my playing as different and special (everybodys is, I realize now!) and I found myself almost unconsciously trying to do the EXACT OPPOSITE of everything Robinson told me to do.
I am generally a very accommodating person, but I realized that I didnt believe what he was saying, and I couldnt pretend. It just wasnt me, and it wasnt until I felt something so WRONG that I realized what I had in me was right. Right for me, that is.
Absolutely everything I heard, Oboe playing and otherwise was completely different than how I thought of it, or heard it in my minds ear. I know he was frustrated that I wouldnt conform, but I just couldnt.
IT was the first time in my Oboe career that I had to reject someones teaching purely because it didnt fit me, and I had the guts to do just that. I realized that the entire time I felt like I didnt know myself, I was actually developing who I was.
And one day it was just there, and I could distinguish it from everything else.
So, if you are on this road, dont be discouraged. Just keep trying to find the Oboe player in you, and dont conform because you are supposed to. Despite what we learn sometimes, there is NO right or wrong in music. Its all about who you are, its ju st finding YOU that is the challenge.
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Oboist and online entrepreneur Maryn Leister helps beginner and professional oboists to be more productive and have more fun on the Oboe. She publishes the weekly Oboe:Space newsletter, the Oboe Insider, and gives away more FREE Oboe reed tips than she can remember with her Reed Guru service.
Sign-up for the Oboe:Space newsletter and start getting your FREE Oboe reed tips now at http://www.Oboespace.com
Author:: Maryn Leister
Keywords:: Oboe
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