Friday, May 31, 2013

Corinne Bailey Rae CD Review

From across the big pond, Corinne Bailey Rae has released her self titled Debut album and boy is it a good one.

I first caught wind of Miss Rae while watching VH-1 Soul's album release program. Where India Arie was also recently featured. On the program they featured track 1 from Rae's CD, Like A Star, and track 3 Put Your Records On and that's all it took to get my attention.

Well... that and the fact that Miss Rae is umm... let's just say easy on the eyes.

Anyway, that reality aside I really enjoy the soulful, laid back style with which she delivers her songs. Somewhat reminiscent of a favorite of mine, Sade.

The CD is a fresh new sound and filled with lyrics of love and goodness that fit Rae's voice perfectly. Also refreshing is the fact that Corinne actually wrote the majority of the songs in this, her Debut collection, and the one's she write herself she co-wrote.

It launches with a great track, Like A Star, that will definitely be heard on radio stations everywhere, and deservedly so. From there Rae proceeds to display why she is destined to be considered one the great vocalists of our time.

These days it's a very rare CD on which every single song is good or better than the one before it. This CD is certainly one of those rare CDs.

Overall the CD Corinne Bailey Rae is an outstanding release. What I call, must have Music. I give it two thumbs up.

While this entire CD collection is outstanding the truly standout tunes are Like A Star [track 1, Put Your Records On [track 3, and Call Me When You Get This [track 6. My SmoothLee Bonus Pick, and the one that got Sore [...as in Stuck On REpeat is track 9, I'd Like To. Very nice!

Release Notes:

Corinne Bailey Rae originally released her self titled CD on June 20, 2006 on the Capitol Records label.

CD track list follows:

1. Like A Star 2. Enchantment 3. Put Your Records On 4. Till It Happens To You 5. Trouble Sleeping 6. Cal l Me When You Get This 7. Choux Pastry Heart 8. Breathless 9. I'd Like To 10. Butterfly 11. Seasons Change

To listen to samples of each song on Corinne's CD Title go to: Corinne Bailey Rae CD MP3 Samples

Clyde Lee Dennis, a.k.a. SmoothLee is a life long Music fanatic. In addition to writing CD Reviews like this one for several Music related websites he also hosts an internet radio show, and invites you to join him daily for some of the best soul soothing smooth jazz you'll ever hear at http://www.SmoothJazz247.com


Author:: Clyde Dennis
Keywords:: corinne bailey rae,Cd,Music,Debut,Sade,Vh-1,india arie,Smoothlee
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The Piano Parent Trap!

My 6 year old daughter really loves the piano and wants to learn to play, but when I try to help her she gets very upset with me. What should I do?

The parent who asked the above question has fallen into a hole that I call The Piano Parent Trap!

If this is you, you dont have to feel bad. In fact you should be flattered! This is just a problem of conflicting needs. The role of Mom or Dad is very important to the emotional security of children. Your acceptance and approval is everything to them! When parents move out of the parental role into the role of piano teacher, young children can become confused and anxious. The expectations of children are that Mom and Dad will always play the specific role needed to protect their emotional security. Because children must have their emotional needs met to feel loved and secure before they can learn, they may refuse to allow a parent to be the piano teacher, even when they want to learn. And surprisingly, the ch ild who really wants to play the piano may resist a parent's help even more! So, how does a parent get out of this trap? Its not really that hard. Here are two key things you can do.

1. Find the right piano teacher.

Look for a piano teacher you feel your child will be comfortable with. This decision should never be based solely on location and price -- those are important to your convenience, but they tell you nothing about the lessons your child will receive. You should talk with the teacher to get an understanding of how they will work with your child and the type of programs they offer. You should look for a teacher with a warm enthusiastic personality that inspires confidence, and they should go out their way to say, I want to be your childs piano teacher! If upon your interview you dont get this message, keep on looking. Remember, piano teachers are not selling a product, they are the product! The right teacher for your child is someone who will bui ld a supportive relationship that challenges your child to do their best.

2. Be supportive, but dont try to be in control.

From the time your child approached the age of two they most likely have been sending you the same conflicting message over and over: I need you Let me do it myself! Get used to this because it isnt optional and it doesnt really go away when kids get older-- it just comes with the package! There are, however, a couple of options you do have that involve your making a choice. Ill lay it out for you simply. Your choices are between Door Number One and Door Number Two. If you should choose Door Number One, you are in control. If you should choose Door Number Two, you are in charge.

Now you might be thinking this is some kind of a joke -- they are the same door! But not so, they are very different! A Door Number One approach requires you to make all choices for your child without their pArticipation in the decision, such as when they should do their piano practice, what songs they should try to learn, and how fast they should progress. However, because this approach ignores childrens need for independence, they will fight for this control they may actively resist practicing at your appointed time, or could act totally passively and claim that they are just unable to learn new skills.

In contrast, a Door Number Two approach recognizes childrens needs for independence but provides needed support and guidance. It allows children to make choices among options you identify for them, which lets them do it themselves while still receiving needed protection. As a result, here is your real choice in basic terms: Behind Door Number One lurks a hungry lion, while a happy child and family are behind Door Number Two!

3. Guide yo ur child by following an authoritative, not an authoritarian approach.

An authori-tarian approach teaches power and control. In contrast to this approach, an authori-tative model teaches ownership and responsibility. These differences can be seen in the following descriptions.

Authoritarian approach

Parent is in control -- child is powerless.

Child believes parents and other adults are in control them.

Child believes others are responsible for their behavior.

Child waits for others who know more than they do to tell them what to.

Child is passive and does not assert their opinions and ideas or take initiative, or is very angry and acts out! Or, is passive and later becomes very angry!

Authoritative approach

Parent is in charge of setting appropriate consequences for their childs behaviors.

Child has the choice to make reasonable decisions within protected limits where they can learn from their mistakes.

Chi ld learns they are responsible for the consequences of their choices and learns to take initiative and trusts their ability to make intelligent decisions and act responsibly.

Child learns to be assertive and can ask adults for information and guidance when making important decisions, but accepts ownership and responsibility for their actions and decisions.

How can you stArt to use an authoritative approach to get out of the Parent Trap and open Door Number Two?

An easy way is to reverse roles. For example, after your child comes home from piano lessons, ask them to teach you what theyve learned because you want to learn it too! This lets your child be in control as they share their special piano knowledge with you. Kids cant resist this. Its just so much fun to be the teacher, and children love to reverse roles! Your young teacher will probably even correct your playing, and tell you that youre doing it all wrong, especially if you play their song perfectly! So, be wiling to make a few silly mistakes that your little teacher can have fun correcting. Just dont get defensive. I can guarantee youll get a lot of mileage out of this strategy!

For great home piano activities parents can use to help children ages 5 to 11 develop their musical talent, visit Piano Adventure Bears Music Education Resources Youll find a treasure box filled with piano resources to create an exciting musical adventure for your child - right in your own home! Visit their website and subscribe to their free internet newsletter so you can download free piano sheet music and mp3s of original piano compositions.

These exciting stories, games, piano lessons, and inspirational gifts feature the Piano Adventure Bears, Mrs. Treble Beary and her new piano student, AlbeArt Littlebud. Young students follow along with AlbeArt to learn what piano lessons are all about in a fun way that kids readily understand appreciate. Click here to visit PianoAdventureBears.com For a wealth of information about piano lessons, visit tallypiano.com


Author:: Cynthia VanLandingham
Keywords:: beginner piano lessons,piano lessons for children,piano lessons for kids, children's piano books
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Understanding The Common Media File Formats

Digital media has revolutionized the world of media digital media is highly portable, easily sent or transferred. Sometimes, though, the many different file formats can leave one somewhat confused. In this Article, we'll go over a few of the most common file formats.

Wave format - *.wav
The Microsoft wave format is a lossless, usually un-compressed audio format. Advantages of the wav format include is cross platform compatibility and ease of editing in various programs. The main disadvantage is a wave files large size.

MP3 format - *.mp3
The MP3 format is the most widely used audio format on the internet. An MP3 file has very good quality in relation to its file size. When creating an MP3 file, you can choose what quality level to save the file as. The MP3 format is cross-platform, and com patible with nearly all media applications.

MPEG varies, often *.mpg
The MPEG is not a single file format, but rather a video and audio encoding standard. There are quite a few different MPEG standards, MPEG-1 and MPEG-4 being the most commonly used for the average consumer.

Windows Media Video - *.wmv
The Windows Media Video format is a common media format for internet usage. It is easily created using Windows Movie Maker (which comes free on any windows computer.) Windows Media Videos can be created using a wide variation of quality settings.

Windows Media Audio - *.wma or *.asf
The Windows Media Audio format is the second most popular media format, second only to Mp3. It is very similar to MP3, except that it supports DRM (Digital rights management).

Quicktime Movie usually *.mov
The Quicktime Media formats all have a serious disadvantage, in that very few programs support them. You must have Quicktime player to play them, and onl y a very few programs can edit them. They are far less flexible than many other formats.

Get free MP4 Videos from Daily PSP Movie.


Author:: Gabriel J. Adams
Keywords:: media format,file format,digital media,digital format
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Broken Chord Piano Technique: "What It is and How to Use It"

Ah, broken chords. The sound. The cascading pattern of chordal notes. It's beautiful. There's no doubt about it. And this technique is one of the easiest to learn. After all, all you need to do to create it is have a chord under your fingers and be able to break it up.

What do I mean by break it up? You've probably heard of solid chords. This is when all tones are heard at once. For example, if I finger a C Major triad and play all three keys at once, I'm playing a solid chord. But, if I break this chord up into it's 3 notes and play them one at a time you get a broken chord.

Broken chords are used frequently in New Age Piano Music. There's something about playing notes of a chord in broken style that's very appealing. Maybe it's because it makes the Piano sound fuller. Or it could be that it ju st sounds lovely.

Now, let's take a look at how we can easily create it.

In the lesson Reflections in Water, we have 4 open position chords. These chords are ideal for breaking up because they are so wide-spaced. Over two octaves of notes lay under your finger tips. Once we finger this chord position we are able to play the broken-chord style. How? By simply letting your fingers play around with the note possibilities! And there are many of them.

When you listen to me play this piece, you'll notice that it's nothing to write home about. That is, I'm not after a sophisticated sound here. I'm just gently playing around with the notes and using the element of time to create a calm ambiance. And it works! The notes float out into the air and Music is created. Not by planning or trying to come up with material but by following a few simple guidelines and letting go of the need to control the outcome.

Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online Piano lessons. He has been helping students learn how to play Piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescenceMusic.com/Pianolessons.html for a FREE Piano lesson!


Author:: Edward Weiss
Keywords:: Piano chords,Piano,Piano lessons,Piano Music,Music,Piano technique,new age Music
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How to Make Your Boring Piano Improvisations Come to Life!

Do you think you need to constantly learn new techniques to get good at Piano Improvisation? Do you believe that getting one more technique under your belt will make you a better player?

Nope. Not going to happen.

If your Piano Improvisations sound boring it can only be for one reason. It's because you're bored!

It's not the Piano or the chords you know or any one of a hundred different things you tell yourself you need before you can sound good on the Piano. No. The problem is not with technique or chords. It's with you.

Listen to this - if you're bored when playing the Piano your mind is elsewhere. When this happens the Music that comes out of you will reflect this. It won't have that quality you want it to have.

The solution is to BECOME AWARE of your mental state. If you're bored or your mind is on other things, simply acknowledge this silently and refocus on the Music. If this doesn't work, get up and move on to something else. Your Piano isn't going anywhere. You can always come back to it later.

Look, I know how frustrating it can be when nothing is happening. You want to play. You feel like playing. But nothing is coming out. You're bored, frustrated, and upset. You may even think the creative muse has left the building. The truth is, there will be those times.

If nothing is coming through, forcing it won't work either. There are those who suggest you stick with it until you come out on the other side. This may or may not work. Just remember not to work against yourself and that your Piano Improvisations will come to life when you are truly present with the Music.

Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online Piano lessons. He has been helping students learn how to play Piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescenceMusic.com/Pianolessons.html for a FREE Piano lesson!


Author:: Edward Weiss
Keywords:: Piano,Piano Improvisation,Piano lessons,Improvisation,Music,Music lessons,new age
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Thursday, May 30, 2013

Diehard Fans for Life

Everytime I make a new friend, they seem to come away with marketing ideas.

Today, I got an email from one. Her name is Jen Clower-Brown. She is a fantasy artist and friend who I've worked with on a number of fantasy art projects. She wrote:

Marc,

I just received the cd I ordered of The Trial of Lancelot by Heather Dale. I haven't even given it a full listen yet, but already she has made an impression on me. Let me explain...

When I pulled out the packing receipt that was with the cd, she had hand-written a short, personal thank-you to me on the receipt! It says nothing more than Thanks Jennifer! Enjoy, Heather, but I doubt I'll be tossing out this receipt any time soon. It was just a fantastic gesture.

I realize this may be a bit tedious to keep up with, but it's worth considering for your own cd orders.

Jen Clower-Brown Course, I've been a big proponent of writing personal notes for a long time. For a while, I handled CD orders in hou se and followed her suggestion. Now, however, CDBaby handles most of our orders. Even there, it's a lot of work to follow-up each order with an email, but let me tell you it's worth it.

Fans want to know that they're not just a face in the crowd. Something as simple as Thanks Jennifer! is all it takes to make that impact to earn a diehard fan for life. That's not too tough is it? Well, follow my example, I'm gonna go catch up on sending thank you messages to our fans. They've given a part of themselves to us. And they deserve it!

Bard Marc Gunn of the Brobdingnagian Bards has helped 1000's of Musicians make money with their musical groups through the Bards Crier Music Marketing and Promotion Ezine and the Texas Musicians' Texas Music Biz Tips. Now you can get personal advice by visiting http://www.bardscrier.com for FREE how-to music marketing assistance.

No time to visit the site? Subscribe to the BardsCrier.com distributed weekly for Free. Just email subs cribe@bardscrier.com


Author:: Marc Gunn
Keywords:: Tips,Musicians,Improve,music Tips,Tips Musicians,Busking
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Creative Piano Playing 101

So many Piano students worry about playing notes correctly. They think about timing, dynamics, velocity, and so on.

Yet these same students are dying for the ability to feel something real. That spark of creative energy that enervates and refreshes the spirit.

Poets know of this feeling as do painters and other creative people working in their respective fields. But what about music? Surely, we're not meant to spend months and sometimes years learning how to play other peoples music. Yet this is exactly what is being done in schools and Universities around the world.

The Piano is a marvelous instrument full of wonder. It si ts waiting to be played. And you can play it! Not like traditional schools. You can sit down and let your fingers reach for a chord that calls to you. You gently rest your hands on this chord and music; beautiful wondrous music comes forth! How different this is than trying to play something someone else has written.

Your music is alive! It's unique and fresh and born of originality! Each note perfumes the air with delicate fragrance and you feel alive with this. Your heart and mind work together as the ideal music YOUR MUSIC floats into the air. The notes surround your heart and the hearts of others as they hear it. Gone is the need to recreate yet another dead composer's music. In it's place, a feeling of quiet joy as you let go and let the music tell you where it wants to go.

Edward Weiss is a pianist/composer and webmaster of Quiescence Music's online Piano lessons. He has been helping students learn how to play Piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/Pianolessons.html for a FREE Piano lesson!


Author:: Edward Weiss
Keywords:: creative Piano,Piano playing,Piano lessons,Piano,Piano music,music lessons
Post by History of the Computer | Computer safety tips